All posts by Peter Killey

Wow, what fresh start for all these brave people for taking part in the Southern New Years Day dips.

Image 1 & 2 were taken on Chapel Beach in Port St Mary at about 12.45hrs and shows the guys and girls going in and quickly coming out, images 3, 4, 5 and 6 were taken at around 13.30hrs in Port St Mary Inner Harbour, again with the dippers going in and quickly coming back out, believe me it was freezing just watching these guys!

The images were all captured on my Fuji X10 camera, resized and cropped in Adobe Photoshop CS5.

Click on any of the images for a larger view!

Happy New Year to all of my Manxscenes viewers 🙂


Close to the Wetlands and St Peters church in Onchan is Molly Carrooins cottage which was in fact not built as a cottage but as a weaving shed which was converted to a cottage around 1800 when a chimney stack was added to the outside of the gable wall, it then later became the home of the village washerwoman.

This tiny-whitewashed cottage, which is probably one of the oldest buildings in the village, has now been fully restored to give a taste of true village tradition, and is sometimes open to the public.

A big thank you to Architectural Historian and Captain of Onchan Parish, Mr Peter Kelly for all his continued advice and support with

The image was captured on my Fuji X10 camera, resized and cropped in Adobe Photoshop CS5.

Click on the image for a larger view!

Molly Carooin's Cottage in Onchan - © Peter Killey


Whilst out for a walk yesterday (28th Dec 2011) I could not help to capture this image of the church whilst the sun was out.

The church was constructed as a result of a bequest in the will of Henry Bloom Noble, his trustees provided land, at the junction of St Ninian’s Road and Ballaquayle Road, and money for the construction of this beautiful church which was completd in 1913 and consecrated as a parish church the following year.

The architect was W.D. Caroe and the church is constructed of local slate and its tower dominates the landscape and indeed the skyline of Douglas.

The image was captured on my Fuji X10 camera, resized and cropped in Adobe Photoshop CS5.

Click on the image for a larger view!

St Ninian's Church - Douglas - © Peter Killey


High up in the hills above the Sulby Valley at an area known as Slieaumonagh, which is roughly between Snaefell Mountain and Slieau Managh Mountain on the track to Block Eairy reservoir lies the remains of these beautiful Manx Crofters cottages, there must be approximately eight derelict stone cottages up there, which must really have been a small village!

I am interested to learn more about these derelict cottages, please drop me a mail via my contact page or feel free to write a comment on this page regarding this subject if you can help.

The images were all captured on my Fuji X10 camera, resized and cropped in Adobe Photoshop CS5.

Click on the images for a larger view!


The custom of ‘hunting the wren’ has long been an Isle of Man tradition, and is still kept alive each St Stephen’s Day.

It is thought that it is descended from Celtic mythology and the tradition may also have been influenced by Scandinavian settlers during the Viking invasions of the 8th and 10th centuries.

Historically, groups of young men known as ‘wren boys’ would hunt a wren and then tie the sacred bird to the top of a pole, decorated with holly sprigs and ribbons. With blackened faces, the group would sing at houses and receive for money, presents or food for their efforts. Those that gave money to the boys would receive a feather from the wren as thanks. The collected money was then used to host a village dance.

Superstitious Manx fishermen were known not to venture out to sea without having first secured a feather to ensure their safe return. Wrens’ feathers were also considered a general preservative against witchcraft.

The images were captured on my Fuji X10 camera, resized and cropped in Adobe Photoshop CS5.

Click on the images for a larger view!


This image of Douglas Head Lighthouse was captured just before the last of the winters day sun dissapeared.

Douglas Head Lighthouse was originally erected in 1832 and replaced by this Lighthouse in 1892 at a cost of £32,000 it stands 32m above sea level and the Lighthouse has now been automated and is now in private ownership.

Click these alternative links of Douglas Head Lighthouse 2 and Douglas Head Lighthouse 3 which I captured from another area in June 2011

The image was captured on my Nikon S3000 digital camera and cropped in Adobe Photoshop CS5.

Click on the image for a larger view!

Douglas Head Lighthouse - © Peter Killey


This beautiful super yacht Amaryllis has been moored on the northern side of Victoria Pier in Douglas Harbour for the best part of a week now, so I could not resist grabbing a few piccies of her.

Built by Abeking & Rasmussen at Weser in Germany she is 78m (257′) long, steel hulled with an aluminium superstructure. Designed by London outfit Reymond Langton Ltd the Amaryllis can take 12 guests and 22 crew.

The Amaryllis is registered in GeorgeTown, Cayman Islands and is reported to cost an eye-watering £100m – Ouch!

The images were captured on my Nikon D80 SLR with a Nikon 18-135 F3.5/5.6 G AFS DX lens and cropped in Adobe Photoshop CS5.

Click on the images for a larger view!


My Fuji X10

My Fuji X10

I really do like this retro camera from Fujifilm – The Fujifilm X10 is a 12-megapixel compact with manual controls, a larger-than-average, 2/3” type EXR CMOS sensor, a 28-112mm (eq.) f/2.0-2.8 lens and a newly developed Optical Image Stabilisation mechanism. Resurrecting the 2/3” sensor size that was commonly found in bridge cameras until the middle of the past decade, the Fujfilm X10 features a sensitivity range of ISO 100 to ISO 5000, expandable to ISO 12800 at reduced resolution. The new sensor also offers all the usual EXR shooting modes that allow the user to give priority to signal-to-noise ratio, dynamic range or resolution depending on the individual requirements of each shot. The newly developed 4x manual zoom lens comprises 11 elements (including 3 aspherical and 2 extra-low-dispersion elements) in 9 groups and benefits from a Super Electron Beam Coating that is claimed to reduce flare and ghosts. The maximum aperture is f/2 at the wide end of the zoom range and f/2.8 at full telephoto, while the available minimum aperture is f11 throughout. Raw image capture, a full range of manual controls, 4 different auto bracketing functions, 8 film simulation modes, a 360° Motion Panorama mode, electronic level gauge and 1080p Full HD video recording round off the features list. The Fuji X10 also boasts a hot-shoe, an integrated manual pop-up flash, an optical viewfinder and a 2.8” rear monitor with a resolution of 460,000 dots.

The Fujifilm X10 will be available in early November 2011, with pricing to be confirmed.

Fujifilm Press Release


FUJIFILM X10 Features a 2/3” EXR CMOS Sensor with a Maximum F2.0 Aperture and 4x Manual Zoom

Valhalla, N.Y., September 1, 2011 – FUJIFILM North America Corporation today announced the all new premium compact FUJIFILM X10 digital camera, featuring a new larger 2/3” 12 megapixel EXR CMOS sensor and a bright, high-definition FUJINON1 F2.0 wide-angle to F2.8 telephoto, 4x manual zoom lens (28-112mm)2 with a proprietary Super EBC (Electron Beam Coating) that produces superb image quality from edge to edge.

The sleek X10 is a sophisticated compact digital camera that follows in the footsteps of the multi-award winning FUJIFILM X100, and it now combines a trim and refined blackout design, an easy-to-use manual barrel zoom lens and a traditional optical viewfinder with a wide 20° field of view for exceptional image composition.

The X10’s stunning body is built from lightweight, yet ultra strong, die-cast magnesium alloy and has an upper control deck with mode dials and an aluminum milled, textured finish lens ring. The 4x manual zoom lens ring doubles as an on/off power switch, ensuring fast start times to capture even the most fleeting shooting scenario.

“Fujifilm is dedicated to elevating the art of digital photography, and the X10 premium compact underscores that commitment by offering first-class image quality, beautiful styling and the innovative technology that exceeds consumers’ expectations,” said Go Miyazaki, division president, Imaging and Electronic Imaging Divisions, FUJIFILM North America Corporation.

“The X10’s thoughtfully laid out design, large EXR CMOS sensor, bright lens and manual zoom make it an outstanding choice when image quality simply cannot be compromised.”

Exceptional Image Quality
The X10 features a newly-developed, larger 2/3” 12 megapixel EXR CMOS sensor that combines Fujifilm’s proprietary EXR technology with CMOS technology to provide bright, sharp images in all shooting conditions. The intelligent EXR CMOS sensor automatically selects the optimum shooting mode from a total of 99 different variations to capture every type of scene perfectly, even in the most difficult photography situations.

The X10’s EXR CMOS sensor selects the optimum shooting mode for any lighting situation:
SN (Signal to Noise) High Sensitivity and Low Noise – produces clear and sharp high-sensitivity images while keeping noise levels low, which is ideal for capturing night scenes or indoor situations with poor lighting.
DR (Dynamic Range) Wide Dynamic Range – delivers an increased dynamic range (up to 1600%) to deliver rich gradations and detail in both shadows and highlights.
HR (High Resolution) – takes full advantage of the 12 megapixel resolution to reproduce the finest details in landscape and portrait scenes, perfect for use on bright clear days.

The X10’s fast EXR processor also delivers high-speed continuous shooting – up to 7 frames per second – at the full 12 megapixel resolution (L size), and 10 frames per second at the reduced resolution M size.

Bright Optical System
The X10 features a newly-developed high-definition FUJINON 4x manual zoom lens (28-112mm) with a Super EBC (Electron Beam Coating) that achieves superb image clarity from edge to edge. By treating all of the lens elements with the multilayer Super EBC, the X10 expertly reduces ghosting and lens flare and delivers an impeccably sharp image.

The lens consists of 11 glass lens elements in 9 groups, including 3 aspherical glass lens elements (6 sides) and 2 extra-low dispersion lens elements. Together with its wide-angle maximum aperture of F2.0 to a maximum telephoto aperture of F2.8, the X10 delivers beautiful, bright images with outstanding clarity.

In its spacious glass optical viewfinder, the X10 uses an arrangement of 3 aspherical lenses plus a special 2 glass prism configuration to give the photographer a composition experience that is marked by superior brightness and superb field of view with its extra wide 20° viewing angle.

X10 Premium Shooting Experience
In less than one second, photographers can be ready to shoot in almost any situation thanks to the X10’s power switch that has been aptly integrated into the manual zoom barrel. This smart and simple design feature allows faster photography response times and helps to avoid missed photo opportunities.

Once ready to shoot, the X10’s all-metal lens barrel and smooth zoom rotation helps you compose photos quickly and easily, and its remarkably quick shutter-release lag time of approximately 0.01 seconds lets you capture even the most momentary of photography scenarios.

The X10 also features a newly developed Optical Image Stabilization mechanism that all but eliminates motion blur by maximizing sensor performance, and its 49-point matrix contrast auto focus provides high-speed and high-precision focusing thanks to the fast CMOS capabilities and the advanced EXR Processor system.

The X10’s lens is capable of taking super-macro shots as close up as 1cm, and combined with its 7-blade aperture, the X10 generates a stunning soft-focus “bokeh” effect that makes it the ideal choice for shooting perfect portraits.

The X10 is proudly manufactured in Japan, and as a mark of true quality, it prominently features the words “made in Japan” along the rear of the chassis near the viewfinder.

X10 Key Features:
4x manual optical zoom featuring Fujifilm’s new Intelligent Digital Zoom technology that doubles telephoto capabilities and provides up to 8x zoom
Fast power start-up; the X10 is fully ready to shoot in approximately 0.8 seconds using the on/off power switch built into the lens ring (must be in Quick Start mode)
High-contrast and wide viewing-angle 2.8” 460K dot high contrast LCD screen that provides excellent viewing even outdoors and in bright sunlight
Diverse manual shooting modes that can be selected according to scene type (Program / Aperture Priority / Shutter Speed Priority / Manual)
Four diverse auto bracketing functions for exposure, ISO sensitivity, dynamic range and film simulation
RAW shooting and in-camera RAW processing (SilkyPix RAW conversion software supplied in-box)
Best-in-class3 1080p Full HD movie recording capabilities
Film Simulation Modes (eight setting are available, including Velvia / PROVIA / ASTIA)
Manual pop-up flash with a range of 7 meters (approximately 23 feet)
Electronic horizon leveling gauge to ensure that the camera is being held level, and histogram display to check image gradation
Motion Panorama 360° for seamless 360-degree panoramic shooting

Premium Accessories
To perfectly complement the look and first-class feel of the X10 camera body, the following premium accessories will be available:
Case – a retro-style “quick shot” case with matching strap made from luxurious leather (LC-X10)
Lens Hood – precision milled from metal, the lens hood with adapter ring is also compatible with commercially sold 52mm filters and lens caps (LH-X10)
TTL Flash – Fujifilm External Automatic Flashes EF-20 (Guide Number:20) and EF-42 (Guide Number:42) are compatible with the X10


Whilst out and about this afternoon for a walk on Douglas Beach, I spotted this image just as the sun popped through and cast some lovely reflections of the old and new apartments and remaining existing hotels on Queens Promenade.

The Castle at the top left of the image is the former Falcon Cliff Hotel which has been standing overlooking Douglas Bay since circa 1843 and is now office accommodation, click here for an image of the Falcon Cliff that I captured in 2004.

The image was captured on my Nikon S3000 digital camera and cropped in Adobe Photoshop CS5.

Click on the image for a larger view!

Reflections on Douglas Beach - © Peter Killey

Page 78 of 87
1 75 76 77 78 79 80 81 87